Justice in Egypt

The latest mass death sentence handed down in Egypt received a fair amount of press. (Enough to incense Egypt's Foreign Ministry, which has released its usual ridiculous statement sniffily calling for the respect of non-existent "international conventions" not to ever question the ruling of any judge anywhere). 

I wrote about mass sentences and the role of the Egyptian judiciary over a year ago. Since then the sentences have continued apace. The only reason this one has received particular attention, in fact, is  because the convicted included former president Mohamed Morsi. Those sentenced to death also include Freedom and Justice Party spokeswoman Sondos Asem and Professor Emad Shahin who having fled the country is currently teaching at Georgetown. The Atlantic Council's EgyptSource blog has an excellent round up of the cases, charges, and reactions here

As I've written before, I can think of few things more destructive to a social peace than the belief that there is no possible recourse to justice. All judicial systems are imperfect, but citizens must at least harbor the hope, the delusion even, that there are avenues for redress. 

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Links May 2 - May 15, 2015

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Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

In Translation: Back to the Past in Egypt

In Translation: Back to the Past in Egypt

The team at Industry Arabic -- look to them for all your Arabic translation needs -- brings us the latest installment of our In Translation series. Abdullah al-Sinnawi is the editor of the socialist newspaper Al Araby and one of the many public intellectuals who supported Morsi's ouster and the ascension of Abdel-Fattah El Sisi, couching his support in terms of restoring the authority and prestige of the state. Now he harsh words for a regime that he describes as rudderless if not deeply disingenuous. The title used a particularly loaded term: the word "normalization" in Egypt usually refers to normalization of relations with Israel, something much of public opinion does not really accept and much of the leftist intelligentsia has always viewed as a humiliating capitulation. 

 

Normalization with the Past

Abdullah al-Sinnawi, al-Shorouk, 6 May 2015

“Why are we protecting Mubarak?....You’re accusing us of being traitors.”

With this unequivocal expression, he tried to dispel any suspicions as to why the Military Council was putting off trying a president who had been ousted by his people.

During the first weeks of the January 25 Revolution, public squares full of anger were calling for the past to be put on trial for its sins. They called for all issues to be opened to questioning and accountability, so that Egypt would not be governed in the future in the same careless manner as before.

This forthrightness was not customary in other leaders and gave the strong impression that the young general who made this statement might be the future of the military establishment.

It did not occur to him, during this lengthy meeting in April 2011 that was attended by six journalists and military figures, as he made this firm response to the questions and doubts raised by the protests, that the question of the past would rear its head again, with greater anxiety and more serious misgivings, four years later when he would be president of Egypt. 

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Links April 25 - May 1 2015

Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

The weapons of the Islamic State

From the New York Times:

This picture carries a sobering reminder for anyone who believes that arming even the most accommodating militaries and rebel groups comes without grave risks. The data set shows that the Islamic State, like many irregular forces before it, has opened spigots from varied and far-ranging sources of supply, in this case on a grand scale. The group’s diversions include ammunition that Iran most likely provided to Iraqi or Syrian security forces; weapons formerly used in wars in Libya, East Africa and the Balkans; and equipment intended for the Syrian opposition fighting President Bashar al-Assad (or even for fighting the militants themselves) but that had been sold, traded or captured from unreliable rebels.
The list of the Islamic State’s inventory reads like a roll call of arms-exporting nations: cartridges from Russia and the United States; rifles from Belgium and a host of formerly Eastern bloc states; guided anti-tank missiles from MBDA, a multinational firm with offices in Western Europe and the United States. Moreover, some of the manufacturing dates on ammunition from Kobani were remarkably recent. Investigators found Sudanese, Russian, Chinese and Iranian small-arms ammunition made from 2012 to 2014 — showing that the militant organization is a long way from being logistically isolated, no matter the forces arrayed against it. (This is not to say that the Islamic State has all the weapons that it might want, or enough of certain types; its extensive use of locally produced rockets and improvised explosive devices shows that its commanders round out arsenals with workshop-grade weapons.)
As Conflict Armament Research’s catalog grows, the implications become familiar and uncomfortable. States that arm guerrillas, brittle government security forces and other proxies tend to assume they are making discrete policy decisions. But if arms migrate as freely from one conflict or fighting force to another as the data indicates they are in the Middle East, then conflicts cannot easily be viewed, in Bevan’s words, as “ostensibly distinct.” The weapons the Islamic State came to possess were in many cases originally exported with the intention of making the region more secure, and have instead been used by militants to remove parts of two countries from the map of the civilized world, setting the group on a path to becoming the largest and most gleefully violent jihadist organization of our time.


/Source

Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

Q&A: The Tentmakers of Cairo

Q&A: The Tentmakers of Cairo

For three years, film-maker Kim Beamish hung out with the tent-makers in the Khaimiya district of Cairo. Three turbulent years, spanning the aftermath of the uprising against President Hosni Mubarak, the rise of the Muslim Brotherhood and the election of Mohamed Morsi, and the protests and coup that led to the presidency of military leader Abdel Fattah El Sisi. In Beamish' film, The Tentmakers of Cairo, all of this unfolds in the background -- most often, on a TV screen.  Although their contempt for the Muslim Brothers is palpable and their relief at the ascendancy of a strongman who can restore order is clear, the men in the alley focus largely on thei craft and their business. This is a movie in which very little happens, whose highlights are snippets of overheard conversation (my personal favorite is a father yelling at his young son, while the usual nationalist anthems blare on the TV: "Put down that book and watch TV! Don't you love your country?"). The ease with which these middle-aged, reasonable, well-intentioned men can be down to earth and funny, and then repeat silly rumors or put forth nonsensical arguments, is quite dispiriting. And as the film patiently documents their largely non-eventful lives, some may hanker for a bit more narrative, a bit more drama. But for those who are interested in what the January 25 uprising felt like to the majority in Egypt who watched anxiously and rather suspiciously on the side lines, this understated film offers many insights. 

The film will have its world premiere this Tuesday, 21 April in Nyon, Switzerland at the Visions du Reel Film Festival. Beamish is also hoping to organize screenings in Cairo in June or July. What follows is an email conversation between Beamish and myself. 

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Links April 4-17 2015

Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

Media in the Arab world

Northwestern University in Qatar has just released its latest survey on media use and attitudes in the Middle East. It finds, among other things, that: 

Egypt, the most politically tumultuous of the countries surveyed, is the only country in which there was an increase in support for tighter internet regulation.

People don’t necessarily think the “democratizing” effect of the internet is a good thing: People who think online activity can increase political influence are more likely to want tighter regulation of the internet.

Fewer people are comfortable expressing their own political opinions, especially in Egypt.

The survey is full of nifty graphics and has a lot of interesting findings. Folks say they support freedom of expression and internet regulation. They are increasingly worried about surveillance and hesitate to share their views online. Egyptians have a low opinion of their media, Emiratis think very highly of theirs. A majority of Saudis and Lebanese believe the international media is biased against them. The most in-demand content is comedy. The #1 media source remains television. (Unfortunately, given what  TV talk shows in the Arab world are). There is a section just on Qatar (in which citizens are asked if they are comfortable criticizing "powerful institutions" rather than, as with other countries, "the government" -- and of course forget about the emir). 

 

Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

American Qur'an

The artist Sandow Birk spent 9 years handwriting and illustrating an American Quran, featuring scenes from his native California. From the artist's site: 

At a time when the United States was involved in two wars against Islamic nations and declared itself to be in a cultural and philosophical struggle against Islamic extremists, American artist Sandow Birk’s latest project considers the Qur’an as it was intended – as a universal message to humankind. If the Qur’an is indeed a divine message to all peoples, he ponders, what does it mean to an individual American in the 21st Century? How does the message of the Qur’an relate to us, as Americans, in this life, in this time? What is this message that we have spent so much blood and treasure fighting against, and how can the message of the Qur’an be applied to a contemporary American life? In short, what might the Qur’an mean to contemporary Americans?

 I love this, and you can see it all here. HT Simon. 


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Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

Palestinian iconography

The Palestine Museum -- a new museum that should open in Birzeit in 2016 -- has created a collection of images that mash up contemporary photographs with Baroque religious paintings. (Another series, also at this link, juxtaposes photos from the refugee camps today and decades ago). 

The Deposition (c. 1507) Raphaello Sanzio da Urbino 

Photo: Israeli soldiers kill a Palestinian and detain others, downtown Ramallah. 31 Mar. 2002 

byAlexandra Boulat

Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

Tunisia's Rachid Ghannouchi on blasphemy, homosexuality, equality

In a new book, Au sujet de l'Islam ("Speaking of Islam"), Rachid Ghannouchi, the head of the Ennahda party in Tunisia, give his opinions on a number of contemporary issues. Here are a few quotes translated from a press summary:

On blasphemy: "It's forbidden in Tunisia, although freedom of conscience and opinion are protected by the Constitution. You have the choice to be Muslim or not, but you don't have the choice to mock the beliefs of others." 
On homosexuality: "We don't approve it. But Islam does not spy on folks. It preserves privacy. Everyone leads his/her life and is responsible before his/her creator." 
On equality: "Inheritance does not reflect the value of women versus men. They are equal in terms of their human value, but don't have the same rights and responsibilities in society." 

 

I wonder if the seemingly liberal position on homosexuality is a reaction above all to the pervasive spying under Ben Ali and the way the intelligence services used people's private lives, including real or false sexual allegations, as ammunition against them. On the old Islamist chestnut that men and women don't need to be equal in everything, just to have an equitable distribution of obligations -- What about the many men who live off their wives' work, or systematically refuse to pay alimony? Shouldn't they lose the rights of "breadwinners" when they shirk their obligations? 

Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

Weekend read: Kamel Daoud's counter-investigation

The Algerian writer Kamel Daoud's Meursault, contre-enquete is one of the best books I've read in a while. Inspired by Camus' The Stranger, it is a brilliantly written, sharp, sad, angry look at colonialism, religion, and the limits of "liberation." It is narrated by the brother of the unnamed Arab killed and quickly forgotten in Camus' novel. Adam Shatz has a great profile of Daoud, the city of Oran, where he lives, and the Algerian literary scene in the New York Times magazine.

After college, Daoud took a job as a crime reporter for a monthly tabloid called Detective. (“What made ‘The Wire’ so great,” he told me, “is that it’s a collaboration between a writer and a policeman, the dogs of the world.”) It was through traveling to small, remote towns, where he wrote about murder trials and sex crimes, that Daoud discovered what he calls “the real Algeria.” When Detective folded in 1996, he went to work for Le Quotidien d’Oran. While other journalists complained of the danger they faced from Islamist rebels, Daoud rented a donkey and went out to interview them. He reported on some of the worst massacres of the civil war, including the 1998 killings in the village of Had Chekala, where more than 800 people were slaughtered. His work as a reporter, Daoud told me, left him suspicious of “hardened positions and grand analyses,” and that sensibility infused the column he began writing for Le Quotidien. Daoud upheld no ideology, spoke in no one’s name but his own. To his new admirers, this was something to celebrate: the emergence of an authentically Algerian free spirit. To his adversaries, Daoud became the face of an Algerian Me-Generation: selfish, hollow, un-Algerian.

The New Yorker has also just published a short interview with Daoud and more importantly an excerpt from the forthcoming translation of his novel. 

Musa was my older brother. His head seemed to strike the clouds. He was quite tall, yes, and his body was thin and knotty from hunger and the strength that comes from anger. He had an angular face, big hands that protected me, and hard eyes, because our ancestors had lost their land. But when I think about it I believe that he already loved us then the way the dead do, with no useless words and a look in his eyes that came from the hereafter. I have only a few pictures of him in my head, but I want to describe them to you carefully. For example, the day he came home early from the neighborhood market, or maybe from the port, where he worked as a handyman and a porter, toting, dragging, lifting, sweating. Anyway, that day he came upon me while I was playing with an old tire, and he put me on his shoulders and told me to hold on to his ears, as if his head were a steering wheel. I remember the joy I felt as he rolled the tire along and made a sound like a motor. His smell comes back to me, too, a persistent mingling of rotten vegetables, sweat, and breath. Another picture in my memory is from the day of Eid one year. Musa had given me a hiding the day before for some stupid thing I’d done, and now we were both embarrassed. It was a day of forgiveness and he was supposed to kiss me, but I didn’t want him to lose face and lower himself by apologizing to me, not even in God’s name. I also remember his gift for immobility, the way he could stand stock still on the threshold of our house, facing the neighbors’ wall, holding a cigarette and the cup of black coffee our mother brought him.
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Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

Links March 21-April 3 2015

Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

Two very good books

The finalists for the International Man Booker prize have been announced. Two names on the list have written wonderful books that have meant a lot to me. Amitav Gosh's In An Antique Land is a book I would place on my Ideal Egypt Reading List. I have just been searching my shelves for it and am distressed not to find it. This is a work of creative historical research and reconstruction and of deft and very amusing sociological observation. Gosh did doctoral research in two Nile Delta villages in the early 1980s (and then returned for a visit at the end of the decade). He memorably sketches the personalities of his hosts; his interactions with the villagers -- who mock him for his Hindu beliefs but call on him to fix their Indian-made water pumps -- are deeply funny. In his book he also imagines the life of a 12th century Jewish trader based in Egypt and his Indian slaves. He uses the Geniza documents, an incredible trove found in a Jewish synagogue in Cairo (since throwing away paper with God's name on it is forbidden, the Jewish community there had been using the space between two walls in the synagogue as a giant waste paper basket for centuries). To me In An Antique Land was a lovely, personal reflection on Egypt's layered, multi-cultural past and on its submersion (some would say erasure) by the modern nation state. It's told  by a writer with great empathy, insight and intellectual curiosity about folks around him and ones who lived centuries ago. 

The Libyan writer Ibrahim Al Koni is also one of this year's list. I read Al Koni's نزيف الحجر The Bleeding of the Stone when I was studying Arabic in Cairo in the Spring of 2008. A wonderful literature professor from Cairo University assigned it to us and it electrified the class. I have read a few more books of his in translation since, but none have struck me as much as this one. Like so many of al-Koni's books it takes place in the Libyan desert, where the writer is from. 

Elliott Colla, who has translated and written some of the best commentary I've found on Al Koni, writes:

Taking the Twareg aspect of Al-Koni’s writing seriously allows us to recognize a radically redrawn map of the world—one in which the Sahara is a full, rather than empty space; one in which the Twareg lie not at the edges, but the center of history. Al-Koni’s novels take place in a desert world that is, despite its desolation, surprisingly rich in the sense that everywhere there are living beings struggling to live. In Al-Koni’s fiction, the meaning of life is always tied to struggle. Thus, Al-Koni’s novels paradoxically suggest that only here—in the harshest corners of the desert waste—does life emerge in its richest sense.
While each of Al-Koni’s novels has a different focus, they invariably sketch a richly detailed Twareg landscape whose heart is located somewhere between Aïr and the Hamada Hamra, Ghadamès and Agadez, Sebha and Tamenrasset. Indeed, it is the Acacus range, Al-Koni’s birthplace, which forms the geographical center of this fictional universe. The inbetweenness of this geography is not accidental, for center of this world is deliberately situated between two diametrically opposing social and philosophical forces. To the South lies a world of myth, magic and superstition. It is the place where the caravans carrying blue cloth, slaves and gold originate. To the North lie the distant Arab cities of the coast and after that the sea—a place associated with mechanized technology and warfare. Truth emanates from neither—rather, it is in the struggle between them, the struggle in the Twareg center, that meaning is to be found.

The protagonist is the lone, simple Asouf, a herdsman who lives deep in the desert, in precarious and often dangerous balance with nature. Then evil hunters -- who have already wiped out the gazelles of the area -- arrive, on a hunt for the waddan, a nearly mythical mouflon (a horned wild sheep) with whom Asouf has already had run-ins. Everything about the book is strange and unique: the setting (the Arabic novel is generally extremely urban, just think of the relationship between Mahfouz and Cairo); the agency given to animals (when a late chapter is told from the point of view of a gazelle we are hardly surprised); the unique spiritual universe in which imagery and symbolism from many different religions is combined. This is a world in which nature is cruel, but human are much crueler. The original Arabic is also beautiful. I can only speak to the laborious pleasure I got, sentence by sentence (the labour added to the pleasure -- reading in a second language is often very close reading), but Colla points out how it harks directly back to early Arabic literary tradition. 

Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

Houellebecq's Submission

Adam Shatz reviews Michel Houellebecq's Soumission in the London Review of Books.

Soumission derives its name from the original meaning of the Arabic ‘al-Islam’ – voluntary submission, or surrender, to the will of God. In that sense, the novel is a faithful rendering of Islam’s meaning. François is under no compulsion to convert, other than the usual inducements of professional ambition and sex, the typical motors of the French novel. Ben Abbes’s arrival is greeted with relief, the war between theidentitaires and the jihadists is brought to an end, and Islamisation proceeds not so much by conquest as by persuasion. The national patrimony – the Sorbonne, the Paulhan hôtel particulier – now belongs to the Gulf sheikhdoms, and on campus the miniskirt has given way to the burqa, but otherwise France is unchanged. In fact it’s even a bit better off. As Houellebecq says, the entire novel unfolds in an ‘ambience of resignation’.
Is Houellebecq condemning the French for capitulating to Islam, or worse, accusing them of ‘collaboration’? His critics have pointed out that the structure of Soumissionresembles narratives about Vichy: a confused period of civil unrest; an exodus to the countryside; and accommodation to the new regime. But really, far from damning the French for embracing Ben Abbes, Houellebecq is suggesting that they could do much worse: indeed, that they are already doing much worse. And, as Houellebecq reminds us, ‘moderate Muslims are not Nazis.’
Perhaps this is all just a Swiftian stunt. Perhaps Houellebecq is saying that France has sunk so low that even Islam would be preferable to the state religion of laïcité. But I don’t think so. Soumission is too ambiguous to be read as satire – or, for that matter, as nightmare. There are strong indications, both in the novel and in interviews, that Houellebecq sees Islam as a solution, if not the solution, to the crisis of French civilisation. Yes, civilisation, that word evocative of the longue durée, religion, tradition, shared values and, not least, clashes with civilisational rivals. But the word is unavoidable. What has always made his writing so perverse is the way it jumps between microsociology and the aerial view of history. (His novels almost always take place at some point in the future, allowing the present to be depicted as a just vanished past.) Houellebecq has an unerring, Balzacian flair for detail, and his novels provide an acute, disenchanted anatomy of French middle-class life: TV dinners, petty intrigues at the workplace, tourism, sex. But since his characters are never more than sociological types, without much of an interior life, he needs to find another narrative for them: hence the role played by history. For Houellebecq, history is the story of the rise and fall of civilisations. The only lasting civilisations, as he sees it, rest on a solid foundation of shared religious values. Once those values disintegrate, a civilisation slides into inexorable decline, and becomes susceptible to what, in Atomised (1998), he called a ‘metaphysical mutation’, a sudden and decisive transformation of its values. These metaphysical mutations are the engine of history. Politics and economics – the stuff materialists get worked up about – are of secondary importance. (By any objective measure, France isn’t doing so badly: people work less and make more, and have a higher life expectancy than the OECD average. The ‘crisis’ of the French model is partly phantasmagorical.)

I'm reading this book now. It has some entertaining bits, some nice phrase assassines on French academia, politics and media. But generally it disappoints, mostly because of how much it repeats familiar themes and scenes. Once again there is the morose view of a culture corroded by individualism, materialism and humanism. Once again explicit, porn-like sex scenes meant to convey the opposite of intimacy. Houellebecq seems to have reached the point in his career where his style is becoming a pastiche of itself. As Shatz notes, "At the beginning of Soumission, Houellebecq says that while the style of a novel matters and ‘the musicality of phrases have their importance,’ ‘an author is above all a human being, present in his books.’ He is distressingly present in Soumission."

Because Soumission came out the day before the Charlie Hebdo attack (the magazine featured Houellebecq on its cover) it has been treated as not only relevant -- the author is certainly gifted at hitting on nerves -- but somehow prescient. But the scenario it unfolds is political science fiction. This is not a book about Islam or Muslims at all; it is a book about a decades-long French malaise and, as usual, about Michel Houellebecq himself. 

Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

In prison in Egypt

Part of a testimony published on El Bedaia web site by Ahmad Gamal Ziada, a journalist being held in Abu Zabal prison. 

Still the soldiers try to provoke me. They push me with their sticks and laugh. "Move journalist, ha ha ha, you complain of your masters?!" I did not reply to avoid problems. But one of them said: "Son of a bitch"! I protested in a loud voice so that the warden would hear me. I told him I wanted to report the insult. The warden laughed and told the masked soldiers and the officer Ahmed Omar: "Take him and make the report." The signs of that report are still on my body. I took my share of beatings and instead of making the report I requested, the warden made a report against me and accused me of individual excitement (Thank God it was not one of sexual excitement against an ignorant man who described my mother as a whore). He wrote that my punishment was 24 hours in disciplinary detention. I told the chief investigating officer what happened and he said: I tried to convince the warden and Ahmed Beh not to put you in disciplinary detention, but they seem annoyed with you. And because their highnesses were annoyed with me they put me in disciplinary detention for seven days instead of 24 hours and wrote a report that I refused to enter the cell!! I entered the death chamber: A cell, 3 times 5 feet big, half a blanket, a rotten smelling plastic box to use as a toilet, since it is forbidden to open the cell throughout the duration of the punishment, a dirty bottle of water, a rotten loaf of bread and an equally rotten piece of cheese. No air, no light, no life! I declared a hunger strike, but no one cared. "We did not bring you here to eat", said the officer. I said tell the prison administration that I shall not end my hunger strike except after a human rights visit to these inhumane graves.

Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

The war in Yemen (in 1963)

Patrick Seale reported for The New Republic on the war in Yemen in 1963, which saw Egypt intervening to prop up a new republican regime, against the monarchy supported by Saudi Arabia and Jordan. 

President Nasser's armed intervention in Yemen is the most ambitious and dangerous foreign adventure of his career. It has brought him to the brink of war with Saudi Arabia and Jordan and provides American diplomacy in the Middle East with possibly its greatest challenge since Suez. By recognizing, in December, the republican regime of Marshal Sallal--Nasser's protege in Yemen--the United States has clashed with her British ally and has taken sides in the inter-Arab struggle for power. Why did Washington do it, and what are the military facts?
For the last three months, an Egyptian expeditionary force--put at between 12,000 and 15,000--has been fighting a savage guerrilla war in north and east Yemen against tribes loyal to the Imamate who will not accept the republican couip d'etat by which Sallal overthrew the royalist government. These Egyptian forces--Nasser's crack combat units--were trained for desert not for mountain warfare. Their expensive equipment, their Soviet-built tanks, armored personnel carriers and Ilyushin jet bombers, are not ideally suited for operations in the crazy maze of narrow defiles and boulder-strewn mountains of northern Yemen.
A main road in these parts is a barely discernible single-file, pencil-line camel track linking two waterholes across a moon-landscape of black surging rock threaded by pale dry watercourses. Clumps of white thorn, dry as tinder, spring into flame at the touch of a match to warm the night marches. In this terrain, the slow-moving Nile Valley peasant has proved a poor match for the barefoot, elusive tribesmen armed only with rifle and jambiya--the vast, curved, razor-sharp dagger which every male Yemeni wears in his belt.
But quite apart from individual fighting qualities, it was evident (at least to this correspondent from conversations with Egyptian prisoners) that whereas the Egyptians seem uncertain why they are there, the Yemeni tribes are fighting a foreign invader in the name of Islam and of their traditional way of life and form of government--and are enjoying opportunities for loot on a scale probably unparalleled since the incense caravans of Sheba. I met a man who had acquired 80 Egyptian blankets; another had a couple of hundred cans of excellent Egyptian beans; children were dressed in rags of parachute silk and every royalist camp was littered with captured weapons, bazooka bombs, boxes of grenades and Egyptian cigarettes.


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Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

Links March 14-20 2015

Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

What Happened in Homs

The New York Review of Books publishes an excerpt of Jonathan Littel's Syrian Notebooks:

Ever since the beheading of the journalist James Foley, Da‘esh has become the overwhelming obsession of Western governments, clouding all other issues. The regime and its Russian friends can be proud: their goal of, if not quite rehabilitating, at least bringing al-Assad back into the game as a key player, is now within reach. Even more than the fate of the broader Middle East, it is the fear, even to the point of psychosis, of another jihadi backlash against Western interests—of another September 11 or July 7 or January 7—that is driving European and US decision making. From there to working with al-Assad is only a step, no matter how much our leaders deny it. Sadly, this won’t benefit the Syrian people much.
A recent set of statistics published by the Syrian Network for Human Rights, usually considered one of the most reliable independent observer of the conflict, might serve as a useful reminder even if the figures are probably underestimated: as of March 2015, the regime had killed 176,678 Syrian civilians, including 18,242 children, as opposed to 1,054 civilians (of which 145 were children) killed by Da‘esh. Our new enemy should not make us forget who is at the root of the disaster; the Syrians certainly haven’t. The French journalist Sofia Amara cites, in her recent book, the new slogan chanted, with their eternal dark humor, by Syrian activists seen in a video marching through devastated streets: “What is left of the Syrian people wants the fall of the regime.”


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Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.