The Arab of the Future

Here is a review I wrote for the LRB blog of the comic L'Arabe du Futur, by Syrian-French comic artist Riad Sattouf. It's a very accomplished, very troubling, work (and should be out in English soon). 

In Libya, where his father accepts a teaching post, the family lose their university housing immediately to squatters who invoke Gaddafi’s ban on private property. Sattouf’s mother, Clementine, nearly gets into trouble after she breaks into hysterical laughter reading out propaganda on the radio. Sattouf remembers the crowds jostling to buy unripe bananas and Tang, the afternoons spent playing unsupervised with the children of other foreign professors. In a child’s worldview, the strictures of a dictatorial regime are no more bizarre than most other rules.
When Sattouf’s father decides to take his family back to Syria, things turn almost farcically awful. He didn’t do his military service, so has to bribe his way past army officers at the airport. The family waits as a group of cab drivers has a brawl over who will take them. Back in the village, at the family home, the women sit in a separate room and eat the men’s leftovers. Sattouf’s father discovers that his brother has sold his land. The village is full of rubbish and feral little boys who wave sticks and threaten Riad.


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Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

review: Drawing his way to freedom

Amazigh, itineraire d'hommes libres ("itinerary of free men") is a graphic novel by the Moroccan artist Mohamed Arejdal (written with Cedric Liano). It tells the story of Arejdal's long, tortuous, ultimately unsuccessful attempt to emigrate illegally to Spain. It captures the teenage rebelliousness and nonchalance that lead to the decision to make the trip; and the casual mistreatment that takes place along the smuggling route. Much of the story takes place in the Canary Island, where Arejdal ends up in a succession of detention centers. It is there that a social worker gives him some art supplies. When he is forcefully repatriated to Morocco, he ends up studying at the Fine Arts Institute in Tetouan; his long trek in search of European opportunity ultimately becomes material for some of his art projects. His book concludes with him being granted the much-sought-after  European visa to attend a biennale in Italy.

 

Regarding the title: Arejdal is Amazigh, meaning that he belongs to the country's indigenous Berber population (the word means "free man" or "rebel"). Most Moroccans do, ethnically, but only some identify as Amazigh. At least a third of the country speaks Amazigh languages-- which have historically been marginalized -- as their first language rather than Arabic. The issue of language and identity here is a fraught and complicated one. 


Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.

Sexual harassment and super-heroines

The online comic Qahera shows an avenging munaqaba fighting  sexual harassment in Cairo. It is a very powerful work, which captures perfectly the social dynamics surrounding harassment (the police officer who tells the victim: "Honestly, you have to look at what you're wearing, too," and that if she files a charge against her harasser, "you'll ruin his future.") 

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Although I tend to think that vigilante fantasies (and I have many) -- and real vigilantism, like that of some anti-harassment groups, who catch and beat and spray-paint offenders -- far from being empowering are actually the expression of despair and rage. Sexual harassment is so pervasive that we can only counter it in extreme, even fantastical, ways. 

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Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.