وداعاً رمسيس

So finally Ramses is gonna escape the polution, dust, fumes, and garbage hills of downtown Cairo, to assume his new position in front of the new Egyptian Museum, currently under construction.


As happy as I am we are saving this valuable piece of our country's history, but I know I and many Cairenes will miss it. May Ramses find some peace now in his new home by the Giza Pyramids...
Here is a slideshow of the mock transferring process that took place last night. The Antiquities' authorities moved a replica of the statue, to see if the experiment was going to work.. and it did..

UPDATE: The actual tranfer of the original Ramses statue will take place on October 6, according to Al-Masr Al-Youm

If you are interested in more background information on the new Egyptian Museum, check out this story I wrote for the LA Times last year.



MUSEUMS
Tut, tut: Egypt sorely in need of new site
Planned grand space will replace the current hodgepodge. U.S. tour will help fund it.


By Hossam Hamalawy
Times Staff Writer
August 8, 2005

CAIRO -- It wasn't exactly what Jonathan and Mary Brown were expecting. The British couple were shocked by their first visit to the old Egyptian Museum, set in the heart of Cairo's busiest downtown square.

"It breaks my heart seeing the monuments kept that way," said Jonathan Brown, a retired real estate investor. "I got into the museum and didn't know which way to go. I couldn't find user-friendly maps, no illustrations. It's also very noisy here. I felt I was at a circus, not a museum."

When the Egyptian Museum was built about 100 years ago, it was host to only 10,000 artifacts. The architecture was French colonial, with a lush, cozy garden and a Nile view.

Today, the museum is surrounded by a concrete jungle of overpasses, skyscrapers, five-star hotels and an endless stream of cars. Moreover, it holds at least 150,000 antiquities from Pharaonic, Greco-Roman, Coptic and Islamic civilizations. The rooms in the King Tut exhibition area were brushed up and supplied with air-conditioning a few years ago. But many others still lack ventilation and humidity control, and some even have their windows open wide, allowing the noise and smoke of the streets to pour in.

"Our museums have been nothing but storage sites, where antiquities are just crumbled over one another," said Zahi Hawass, the head of Egypt's Supreme Council of Antiquities. "It was so depressing, but things are changing now."

Miles to the west of Cairo, near the Giza pyramids, a team of 25 architects, together with 350 construction workers, is busy working on what will be a huge antiquities museum, to be built on a plot of land of 117 feddans, a measurement roughly equivalent to 121 acres. Egypt has launched a global campaign to raise the project's estimated $550-million budget.

The first money-making effort is "Tutankhamun and the Golden Age of the Pharaohs," now at the Los Angeles County Museum of Art, where visitors are paying $15 to $30 a person for regular tickets and up to $75 for VIP admission.

For the Egyptian government, it's well worthwhile. The Grand Museum of Egypt is expected to open its doors to visitors on the Giza plains by 2009, exhibiting at least 100,000 artifacts from the Pharaonic and Greco-Roman periods.

The government is gambling that the museum will lure an additional 3 million tourists to Egypt every year. That would give a badly needed boost to the country's $6-billion annual tourism industry, whose short-term future has been thrown into doubt by recent bombings in the Red Sea resort of Sharm el Sheik.

The decision to build the museum was issued by Egyptian President Hosni Mubarak in 1992 but faced almost a decade-long stalemate because of extensive studies, lack of funding and Egypt's notorious bureaucracy.

Yasser Mansour, the 48-year-old chief architect, was initially skeptical about the project when the country's culture minister asked him to get involved in 2001. But "I felt it was a national duty, and I couldn't decline to be part of this giant project that will revolutionize our tourism sector and protect our national treasures," he said. "We now have full government backing to proceed ahead."

Mansour, who worked for several years in the U.S., came back to Egypt shortly before he was called to join in the project, designed by Heneghan.Peng Architects, an Irish firm that won the international bid for designing the museum's model.

"I don't know how the pharaohs managed with such heat," he jokingly said, wiping the sweat off his forehead under Giza's blazing sun.

The museum, Mansour said, will occupy a desert plateau at the edge of the Nile valley, within sight of the Giza pyramids, one of the world's ancient wonders.

The blueprints for the project show an ambitious design with an alabaster facade and a roof in alignment with the pyramids.

A large triangular gate in the facade will lead into the museum, where an 83-ton statue of Ramses II — which stands today in the heavily polluted Cairo square that bears the pharaoh's name — will greet visitors.

More important, the museum will display King Tut's mummy and other artifacts found in the young pharaoh's tomb. The mummy now lies in its tomb in Egypt's Valley of the Kings.

"That will be the crown of the new museum," Hawass said. "The collection will not be exhibited as it is now in the Egyptian Museum, with items packed one over the other. I'd imagine that each item should deserve a room for itself, exhibited in a civilized way."

The U.S. portion of the traveling King Tut exhibition is expected to raise more than $36 million for the new museum, Hawass said in a recent interview. The tour, organized jointly with commercial entertainment firms, represents the increasing drive to use private capital to market the country's archeological scene.

Still, revenue from the tour falls far short of financing the new museum's huge cost. With only $100 million coming from the Egyptian Culture Ministry, Mansour hopes international cultural institutions and foreign governments will step in with the rest of the money the project needs. Negotiations are continuing between the Japanese Bank for International Development and the Egyptian government to get a low-interest loan for $300 million.

"Money is always the big problem," Mansour said. "Museums are rich in contents, poor in resources. But our friends understand well, this new museum is a good investment. It will revolutionize the cradle of Egyptology."