When the Malas twins were 16, they saw a play together and “decided we must become actors”, Mohammed says over coffee the next day (he could just as well be Ahmed; the twins often wear matching outfits and have a habit of finishing each other’s sentences). But their application to the highly competitive Syrian High Institute of Theatrical Arts was rejected three times.
“They told us: ‘You’re not talented, you won’t be actors.’”
Syria has a long and illustrious theatrical tradition and a burgeoning movie and TV industry that has resulted in some very popular and well-produced TV serials of late. The brothers auditioned for TV and film parts but never got any major roles (“For TV, you need connections,” Ahmed says), and ended up working full-time at the children’s theatre in Damascus.
The twins channelled their frustrated ambitions into Melodrama, a play that is as self-referential as you can get: actors portraying actors who spend the play talking about acting. There is no plot, just a whirlwind of allusions to high art and pop culture.