I've just started reading Hugh Pope's journalistic memoirs, Dining with al-Qaeda. It's really good fun so far, and the second chapter — covering Pope's first job with UPI in Beirut — has a great story of his disenchantment with Robert Fisk, who always magically had more exciting stories than anyone else. His secret: he made them up. Pope went to great length later on to investigate claims by Fisk, in his Independent reporting and in his magnum opus, about Turkish "starving" of Kurds that nearly got the Independent banned there and caused Turkish authorities to blow a gasket, almost kicking Pope (a lowly stringer for the Indie) out of the country. He's calls all this "Fiskery" — others call it Fisking, especially when Fisk goes after individuals — and while he's not bitter about it there's a real sense of disappointment that Fisk jeopardizes his position of authority and emotional power on these made-up stories. He writes:
Fisk's writings, more than almost anyone else's, manages to step around the cautious conventions of Middle Eastern reporting and drive home at an emotional level the injustices of the dictators and the cruel side of U.S. policies But facts are facts, indispensable legitimizing agents of readers' emotional and political responses.
The thing is, Fisk's over-active imagination makes it easy for Pope to find holes in his reporting, for instance when Fisk refers to getting onboard an Apache helicopter even though they don't have passenger seats. If you hang around journalists with several decades of Middle East experience, particularly ones who were in Beirut in the 1980s, you keep hearing these stories again and again about Fisk. It's a great, great shame that this otherwise powerful writer keeps on doing that.
In any case, do pick up this book, especially if you have an interest either in foreign correspondents in the Middle East. I'll do a proper review later, but I see that the Economist loved it (and if you read the review, you'll note a mea culpa about the paper's support for the Iraq war at the bottom).