Syria Speaks

This summer, while the young men of the organization-formerly-known-as-ISIS -- men whose inner lives I find it hard to fathom -- were marauding across what is left of Iraq and Syria, I was reading the powerful anthology Syria Speaks: Art and Culture from the Frontline. I just reviewed it for the blog of the London Review of Books. 

Untitled by Khalil Younes. One of many works of visual art included in the book. 

Untitled by Khalil Younes. One of many works of visual art included in the book. 

Much of the work in Syria Speaks seems to have been written a year or two ago, and what a difference that time makes. Most of the more than fifty contributors are outside Syria now; their hope and defiance seem out of date. Yet the book is a valuable reminder that the early protests against Assad were both peaceful and democratic. It also sheds light on the way the protesters’ aspirations were ground into irrelevance.

In the opening piece, the journalist Samar Yazbek travels though the countryside around Aleppo, Idlib and Hama:

The sun was blazing down, so intense that it was impossible to cry. Everyone spoke with granite-like solemnity; a brief sigh was enough to occupy the whole space… It was as though we had uncovered Syria’s true identity after all this time: a country made of earth, blood and fire, where explosions never ceased.

You can read the rest here

Ursula Lindsey

Ursula Lindsey is the managing editor of the Arabist blog. She writes about culture, education and politics in the Arab world. She lived in Cairo from 2002 to 2013 and got her start at the ground-breaking independent magazine Cairo Times. She was the culture editor of Cairo magazine in 2005-2006 and served as special projects editor at the independent news site Mada Masr in 2013-2014. She is the Chronicle of Higher Education's Middle East correspondent. She contributes to the BBC-PRI radio program The World, and has written for Newsweek, The New York Times, The New Yorker online, Bookforum and the blog of the London Review of Books.