Juliano was the founder of the Freedom Theatre. He was an Israeli citizen, the son of a Jewish mother and therefore a Jew in the eyes of the Jewish state. But his father was a Palestinian from Nazareth, and Juliano was a passionate believer in the Palestinian cause. He would often say he was ‘100 per cent Palestinian and 100 per cent Jewish’, but in Israel he was seldom allowed to forget he was the son of an Arab, and in Jenin he was seen as an Israeli, a Jew, no matter how much he did for the camp. Among the artists and intellectuals of Ramallah, however, he was admired for having left Israel to work in one of the toughest parts of the West Bank, and was accepted as an ally. Since its founding in 2006, the Freedom Theatre had been under constant fire: local conservatives saw it as a corrupting influence, even a Zionist conspiracy; the Palestinian Authority resented what Juliano said about its ‘co-operation’ with Israel; and Israel saw him as a troublemaker, if not a traitor.
In a must-read piece in the London Review of Books, Adam Shatz portrays a complicated, compelling man and artist, and delves into the mystery of his murder.