The Arabist

The Arabist

By Issandr El Amrani and friends.

'Take it' back please, Ramy Essam

Andeel, writing for Mada Masr, takes on the lyrics and imagery of a new music video (above) by the Egyptian revolutionary crooner Ramy Essam and artist Ganzeer:

The clip, in which a black-and-white Essam with long curly hair wields an electric guitar, is edited with notorious bits of footage from the revolution and ornamented with shaky, angry doodles, in Ganzeer’s signature style. Cartoon lightning and explosions burst off the guitar and Essam’s angry face, and speech bubbles are drawn on demonstrators’ faces. A Ganzeer drawing of a rifle appears every now and then, celebrating and emphasizing the straightforward call for action the song delivers.

If the justice scales are tipped upside down
honor can only be brought back by blood
when throwing stones no longer works
guns make more sense.

You either roll up your sleeves
and take it
or bend over
and take it.

So. In a country that elected a military president after three years of turbulence. In an area of the world sinking into armed sectarian fighting. After months of organized pro-regime mainstream-media brainwashing and xenophobia, two artists not living in Egypt (Ganzeer now lives in the US) make a video telling people that the best way to bring back justice is to carry guns. Or else, kneel down and be sodomized. I’m unable to see where the metaphor or artistic symbolism is in a message like this. I don’t think there is any.

Perhaps this piece is the natural result of a stupid, sentimental relationship with the revolution since it began. A relationship where the boring repetition of chants and quotes and values ended up emptying everything of meaning. The human values on which the revolution was meant to gain popularity get commercialized and abused until people make songs about carrying guns without even actually thinking about what that means. Yeah, because “guns” here don't really mean guns? No? The same way the word “martyr” no longer refers to a person with a life and a family and a choice as much as it refers to public ownership of the meaning of your death.

AsidesThe Editors