In our last episode before a summer hiatus, we discuss a graphic novel about the life and art of the stars of Arab music and cinema; Egyptian writer Radwa Ashour’s memoir of studying at university in the United States in the 1970s; and the Moroccan writer Ahmed Bouanani’s novel The Hospital, out in English (alongside a new poetry collection, The Shutters) after nearly falling into oblivion.  

In which Ursula and Marcia discuss how much innocence American can claim when abroad, and the urge to write expatriate diaries in one’s twenties; they also talk about the new collection Marrakech Noir; and about the never-ending debate over Classical versus Colloquial Arabic. 

We discuss Marcia’s recent interviews with professors teaching Arabic literature in translation; an essay by Lebanese novelist Rabih Alameddine’s in which he picks apart “world literature” and foreign writers – such as himself – who act as “tour guides”; and a book that is an ambitious overview of modern art in the Arab world. 

In this episode, we talk about debates surrounding Western military intervention in Syria; about Arab American writer Randa Jarrar and her Twitter rant against the late Barbara Bush; and about whether there is any alternative to the term “Arab world.” Also Ursula has a squeaky chair. 

We spend most of this episode talking about two books: the late Arwa Salih’s Stillborn, a memoir of and reckoning with her time as a Leftist student militant in Egypt in the 1970s; and Rabai al-Madhoun’s novel Fractured Destinies -- about lives constrained, conflicted and divided in Palestine.

Ursula and MLQ discuss a moving new book documenting the suffering and the resourcefulness of Yazidi women taken captive by Daesh, and the efforts to help them escape; and the perversely dull newspaper columns of the great Egyptian novelist Naguib Mahfouz.

In this episode we discuss Moroccan literature about the country’s “years of lead” and its formidable and ruthless former king Hassan II; and about the relationship between humour, fear and power. We look at literary awards and what they are good for, and why Arablit has decided to create a new award. And we ask: how much contemporary Arabic literature is “dystopian”?

In this episode of BULAQ we highlight several new and forthcoming translations from Arabic to English. We also discuss the newly translated Concerto Al Quds by the renowned Syrian poet Adonis, as well as Adonis’ own status as an artist and public intellectual, and his stance on religion and revolution.

In which we discuss the fictional underworlds of Rabee Jaber and other Lebanese novelists; and explore Saudi poetry, from a new translation of a famous pre-Islamic collection to the satirical poems of “a grumpy old man” in the Najd in the 18th century. At this time when women are denouncing male abuses of power the world over, we look at two Moroccan female writers who are critical of their societies and who face the question of how their work is received and represented at home and abroad. Asma Lamrabet proposes a progressive feminist re-reading of the Koran; Leila Slimani is an award-winning novelist who has written a book on “sexual misery” in Morocco.